Category Archives: Creative Writing

Creative Writing Workshops; Wednesday nights from 7-8:30 PM

creativewritinginstagramForget essays and homework; discover what it means to let creativity run wild and write for pleasure at these weekly creative writing workshops. We will read and discuss poetry, fiction, non-fiction, slam poetry, and any other type of writing that strikes our fancy. These workshops offer the opportunity to explore your writing skills in a relaxed, informal environment. Creative Writing Workshops aren’t about getting a good grade or writing a critical analysis, they are about trying new things and creating something exciting to put on a blank page.

313393_283129255049078_100000560186552_1070834_1377457794_nIf you don’t feel like writing, that’s fine too, you are always welcome to just hang out, eat candy, and listen to what others have to say. 

Student writing can be found here.

Like our Facebook page here.

Creative Writing links of interest can be found here.

Contact Katie (workshop facilitator and Young Adult Librarian) here. 

Workshops are open to high school students only

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Creative Writing Links and Wisdom

Thanks to the weekly Creative Writing Workshop for high school students, I do a lot of reading about writing. It seems selfish to keep such a plethora of knowledge to myself. If I find an article/post/cat gif that I, in my totally subjective way, find pertinent to the craft of writing, I will share it here. Generally speaking, I will only post the title and/or first few lines of something, with a link to the full text. If nothing else, this will be a useful repository for me to collect the interesting writing articles I find and usually promptly forget about. There may only be a few pieces to start, but I promise to continue to add more. If you come across something you think should be here, email me or post it to the Facebook page (which pretty much only I read) and I will repost here.  Read/Write on!

~Katiechuckwendig

  • All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you; the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.– ERNEST HEMINGWAY

  • I don’t follow Quora much but this showed up in my inbox and if Lois Lowery is talking about the process of writing a novel, I want to read what she has to say.
  • This illustrated version of Charles Bukowski’s “air and light and time and space” is awesome. 
  • I am living by this excerpt from Anne Lamott’s great book on writing, Bird By Bird.
  • I mean, you can be sure I am going to include lots of quotes from my boy Hemingway on this page: 

“When I am working on a book or story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day next you hit it again.” - ERNEST HEMINGWAY

  • Although this does not bode well for me, as I am actually the least athletic/exercise-y person alive, I am sure what Rebecca Makkai says is true:

“My cures for writer’s block are alarmingly pragmatic and physical. So pragmatic that they arrange themselves in list form! To wit: 1. Get up and walk around. A few years ago, I realized that the solutions to most of my writing problems would come to me in the bathroom. It wasn’t the bathroom itself, of course, that was magic, but the act of getting up from my desk and walking there, getting the blood flowing, and tearing my eyes away from the computer screen. So now, when I’m staring down a huge plot problem, I take a long walk—without a notepad. It’s nearly always solved by the time I get back. 2. Vitamin B. It’s better than caffeine. It makes you both calmer and smarter. I keep a bottle on my desk. 3. If you can, sleep late. That last cycle of sleep is when the weird dreams come, the ones you’ll actually remember. (And how great is it to say, “I have to sleep late for work?”) 4. Yoga. My point with all of these being: Writing isn’t entirely mental. You’re a physical being, and sometimes when your writing is broken, it’s your body that needs attention, not your mind.”
—Rebecca Makkai via The Millions

  • Finished a draft of something? Here are six questions to ask your reader to ensure they give helpful feedback.
  • Failure is Our Muse by Stephen Marche (good, because one of my stories keeps getting rejected and it’s giving me a sad!)
  • “You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.” JOSEPH CAMPBELL

  • What Writers Can Learn from “Goodnight Moon” by Aimee Bender
  • Fiction Writer's Cheat Sheet by RipleyNox

    Fiction Writer’s Cheat Sheet by RipleyNox

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I Have Almost Always Felt Out of Place by Ben Daly

by Ben Daly

I never actually met you. I would wake up every low-contrast morning next to some kind of blinding sun desperately trying to get in my way. Every single day, as the dreams faded, I knew the sun would rise happily and sleep well. I was envious of light. The pavement and I stared at each other until some rich old tycoon would give me a glare to cross. I don’t think he liked to acknowledge the light, even when it was smiling bright at him. I saw you somewhere. My mind’s eyes and ears could feel you: My limbs could not. I never quite knew what to make of a million women acting like animals, and I never knew what to make of my friends using me as a spare tire, but wearing me down slowly as all my bad sides ground against the same pavement even I would rather hold hands with.

A speaking voice tries to explain it, but a singing voice lives it, and holds it dearly, clutching it, sobbing with relief. Colleagues looked in. They tried to help me make sense of why you cared. Later, we tried to make sense of why they did. You may be gone, but your spirit’s hand is lukewarm. Bowing trees. The violet sky in our eyes. The pavement has told the dark buildings in the distance to celebrate. They light up for us. They take requests.

If you do too, I hope I meet you back on that hill, and I hope the forces are merciful to the sea, which is merciful to the wind, which is merciful to us, and lets our memories fail to be blown out into that dark sky. I, you, we come from the same place. We can see it in each other, some monarchy of common interests, a line formed only out of two points. Without one, there serves no clear way, no law stated by a smart man who lives alone, to measure the size or design of either one.

Your hands need mine. My heart’s structure yearns to be pulled out of its housing and join yours. If there is no current, the power is drained. My lips grow pale and stiff so I cannot laugh with you. Now I can feel my heart, too, in my mind. But my true eyes open. My heart is bleeding, the sun dries, and the pavement weeps for its stains.

 

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Loneliness FAQ by Maxine Flasher-Duzgunes

Loneliness FAQ*

By Maxine Flasher-Duzgunes

 

Q: What is loneliness?

A: A state of being, commonly one of the symptoms of mild depression, involving a failure to close the distance between the people around you. This can be expressed as both physical and emotional: your gut often tells you to hold someone’s hand, whereas your mind scolds you for giving it the least of a try.

Q: Who gets lonely?

A: More people than you think: maybe the prep school girl who keeps twisting her hair at church. When everyone’s still in prayer, she glances in your direction, wondering if she should glance a little while longer. It could be the dude in the basketball shorts who comes to English class for lunch. You’re there too, striking up a conversation until he says he has to go to the library. You stay. Even your science teacher: never a word about his family, not a baby picture, not a Christmas card. He’s at his desk from 6:00 to 6:00, closer to his papers than say, an actual breathing set of eyes.

Q: Am I at risk for loneliness?

A: Yes. An abundance of time spent lacking the company of others is true to loneliness: logging in a journal, star-gazing, shuffling through the four contacts on your phone, going down lists of to do’s three months after you said you’d do them, resorting to text marathons with your mother, refusing to answer the phone.

Q: Can loneliness be controlled?

A: Primarily, no. It’s not the people that forget about you, so much as the people you (frequently more than sometimes) force yourself to forget. Environmental factors: the means you were raised, the school you go to, were never meant to beat you into the android that you’ve become. However, as self-esteem directly affects your willingness to become the Charlie Chaplain like bum everyone avoids, it’s up to you to say you want in on the one-man club.

Q: Is there an absolute cure for loneliness?

A: Subjecting yourself to prolonged sessions with strangers. Say, placing yourself into an unnatural conversation: having a go at discovering common interests. And above all, making people like you.

Q: Was that last answer truthful?

A: Of course not. It’s essentially known that adolescents like you have difficulty accepting their disease, disorder, disability…whatever. Everyone you care about (the few people there are left) lie to you. Rejecting their intuition says that they hope you won’t die an old maid. Ninety-five years, you’re still attached to the tennis balls on your walker, in a cabin by the sea. The others you used to love probably would be too dead cold to visit you, while in their will, they give you a minor mention. Some inheritance, some money, some land, but that really doesn’t compare to the last words they let loose on their deathbed. They whisper, your elbow crunching the hospital mattress. They say: You’re not lonely. You’re not depressed. You’re just a writer.

 *Editor’s note: inspired by Aubrey Hirsch’s piece, “Multiple Sclerosis FAQ

 

pixabay.com/en/photos/hut/

pixabay.com/en/photos/hut/

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Stars by Clem Grace

We turn to the stars
for comfort
We think those bright little pin pricks
those holes in the atmosphere
can somehow steer us
in the right direction

Because stars surely know
up from down
stars must realize they’re
suspended, indefinitely,
light-years away from each
desperate pair
of searching eyes

They must realize how
superior they are
to us inferior beings
us creatures who succumb
to the force of gravity

Stars never touch ground
just float
effortlessly, tauntingly, above us,
above our heads

So at times
when our head space seems
too expansive
for the minuscule reality
which is our existence

We turn to the stars
because at least they know
their place in the universe

But the truth is
even stars know no directional boundaries

Because if Pythagoras was right,
if the world is truly round,
suspended in dark infinity,
suspended in a blanket of sky,
then what lives above our heads
must also live below our feet

The high and mighty stars, therefore, surround us
that glittering blackness
encompasses us
We search for meaning so high
above our realities
when perhaps we could just be
peering over the edge of the earth.

And I don’t know if the
surrounding constellations,
the sometimes supernovas,
are a comfort or a warning

A protective shield
from galaxies unknown
or a reminder
that our lives are ultimately insignificant

But I know that some stars
are 100 times more powerful
than the sun
the most powerful thing we know
in this not quite geocentric universe
So if the stars know their place
We must know our place as well,
a place within them
a place within the stars.

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Blunderance by Ben Daly

I’ve come to think I’m a writer. Too many swirling thoughts burst out form my old days into some kind of bloody, majestic fragment. I’m too pure to call it something like wild creative birth. But today I keep wondering if I’ll fade away before I escape their power, and find mine. It used to be dreams.

Pretending to love the coldest person who wears a mask

Being an outsider and starting an even hollower friendship with the moon

A block in my mind to write back that defied all progress

I lived half in a world worse for me, with no soul to bring me back but myself.

And when I finally did pry my shadow from the other direction, it gave me something, something that I needed to tell the moon.

So I spoke;

“I have taken myself from the earth so far away that I do not think I shall fade away from all parts of my mind again. And this written on the moon in my mind’s expert symbolism,  I must remind myself with it to stay above ground forever.

 

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View of Metropolis by Ben Daly

Kind of like a dream to break your neck looking up at these walls parting away for the living to navigate through. Even the childless adult who never grew up looks out his tall window at a sky that has enough warmth to look back at him. The bar owner and his cigarette look up through the high forest of right angles in more amusement than jealousy. He never needed a higher place than where he was. Far above is the CEO, and far below are the crustaceans of men who truly live in the shadow of his work. The moon doesn’t have many words for it, but spectates the battles of lives the running people fight on the pavement. How many are running from something? Will the blue sky ever see a day with these people at rest? Will they ever have a real sunset in their lives? The mechanic can never answer as he stares up out of his lonely warehouse. Even the young ones who live behind the skyline ask their parents if they have faced this question. Night is haunted by anger and orange lights. Sometimes they run more now than while the sun is out.

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An illustrated version of Charles Bukowski’s Poem about Art and Creativity

Air and Light and Time and Space by Charlies Bukowski (illustrated by Gavin Aung Than of Zen Pencils)

zenpencilsbukBack to Creative Writing Links

 

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Excerpt from “Shitty First Drafts”

From Bird by Bird by Anne Lamott

From: Shitty First Drafts

“The first draft is the child’s draft, where you let it all pour out and then let it romp  all over the place, knowing that no one is going to see it and that you can shape it  later. You just let this childlike part of you channel whatever voices and visions come through and onto the page. If one of the characters wants to say, ‘Well, so what, Mr. Poopy Pants?,’ you let her. No one is going to see it. If the kid wants to get into really sentimental, weepy, emotional territory, you let him. Just get it all down on paper because there may be something great in those six crazy pages that you would never have gotten to by more rational, grown-up means. There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go — but there was no way to get to this without first getting through the first five and a half pages.”

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